For my next entry on the art of the villain song, let me show you how a villain can lose on all fronts and still make his exit seem like a victory. This song, which essentially functions as the show’s eleven-o’clock number, serves as the parting words by Steven Kodaly, a heartless cad who uses and manipulates his on-again, off-again girlfriend Ilona and has an affair with his boss’ wife that drives his boss to a suicide attempt, yet is so charming you can’t really bring yourself to dislike him. Just before this song, he has been exposed, fired and dumped by Ilona, yet he makes his exit with perfect poise. This song, an epic combination of withering sarcasm, condescension and veiled threat, conveys all the contempt of flipping the bird with all of the grace and poise of an ironic bow. It serves to make Kodaly’s exit from the show one of the grandest in Broadway history, and certainly stands as one of the theater’s all-time great villain songs.